turning within to expand out

18 12 2009

i’m not sure if you’ve noticed, but i have not been posting the best of 09 posts for the last several days. i will be picking these posts up again on the 20th, in two more days.

i’ve been in a whirlwind of school finals, holiday things, work, and we are moving to another part of brooklyn on the 29th of this month. blah blah blah. i decided to trust that if i didn’t get to my blog and do every single one of the best 09 challenges that all my readers wouldn’t leave me and that i’d still be a decent human being.

i can get into the silly mental gymnastics competition of, “if i do x, i’ll be a better person.”

it’s a big trap, so i decided to just do what was in front of me taking care of all the things that simply could not wait, and accepting that there is only so much i can do in a day and that’s really ok.

instead of generating more and more energy to do it all, i have made small decisions each day to what needs to get done and then to rest.

it takes some trust to rest. the world goes on without us and we worry we will miss something, or not be on top of our game, or people will forget us and we will be out of the loop. it’s not easy to stop pushing pushing pushing, and to stop saying over and over how busy we are.

it’s so boring to hear that people are busy. it doesn’t really tell you anything specific about them or where they are at anyway. Mostly it just keeps people out.

so that’s where i’ve been. accepting my energetic limits and choosing other things besides being more wound up and stressed out.

when i’ve had a few minutes, i’ve chosen to lay down or go to yoga class or watch a netflix or look through my art books instead of post here.

i can feel my energy gathering again. i can feel the edges of my eyes softening again. i can feel the ease flowing in my veins and muscles. stressed out is not our natural state you know.

what i know about myself is that i don’t want to live life hard and hardened. i want to live it soft and relaxed. i don’t want to grasp and push.

the only way to do that is to choose stillness, not after the turbo-movement has stopped, but while it happening. choosing to stop in the midst of the motion. to extend care towards myself that has it’s own inherent wisdom and knowing of when and how to do that.

obligation and expectation often hijacks that inner knowing.

why do we often find ourselves pushing and extending beyond what feels right for us?

we have these extraordinary emotional compasses inside us that we override very often.

with the solstice approaching, it’s a perfect time to listen to our inner voice of guidance. and ya know what? it always comes in the form of a whisper.





cezanne

11 12 2009

year in review 2009; the best place:

CEZANNE ROOM, at the metropolitan museum of art.

my best place for this year is a re-discovery. i went to see cezanne’s paintings after reading rilke’s letters on cezanne.

i hadn’t been in many years, and went alone, and have since been back four times in the course of a month.

there is no one who does apples and blues and bathers like cezanne. you stand in front of the painting and don’t know if you should lick it or press your cheek against it or just fall to your knees. in any case, it’s very difficult to keep your hands at your sides. There is a natural impulse to reach out and touch them.

in technical terms, cezanne’s paintings are associated with what is referred to as ‘the erotics of paint.’ i couldn’t agree more.

his paintings not only startle you with their sensuous texture, but his colors instantly cease all thought. there is really nothing to do but stare and let it wash over you, enter you.

cezanne was pressured by his wealthy father to become a lawyer. cezanne tried, but what he really wanted to do was draw, so he eventually dropped out of law school and ended up with all the other artists in Provence where the light is astounding. there, he found paint.

cezanne was known as, above all, a worker. he worked long long hours in his studio every day and kept at it. he was a pauper. his father, angry with him for leaving law, barely gave him any of his large fortune. you can see in the painting of the priest, who is cezanne’s uncle, how cezanne painted over and over and over the canvas to save money. the painting is thick and cracked with all the layers.

it’s still a wonder to me that we can go and view these paintings which are just hanging on the wall without glass or a rope in front of them. it is a thrill for me to stand before them and let myself be inspired and affected by them.

and the Met has devoted an entire room to him.

i took these photos with my iphone. scroll down and enjoy them. i hope you will take yourself over to the met to see them in person. they are beauty incarnate.

i think you will understand how color is unreasonable, and how painters can go insane.






album of the year 2009

10 12 2009

year in review 2009; album of the year:

MOBY. WAIT FOR ME.

i don’t remember how i came across this album. i am always surfing around on itunes hunting down the next soundtrack to my life.

or the next soundtrack to write by. or run in the woods, or ride the subway, or think.

music is essential for me to bring out my feelings and to move my feelings. ‘wait for me’ does just that. it moves me.

it’s ethereal and transportive and spiritual.

it softens the corners of my eyes and the edges of my mind, and when i look out and see the world, or think about things going on in my life that are confusing or are hurting me, or are beautiful and mysterious and powerful, this album’s musicality evokes the tender possibility of all things.





my best challenge of 2009

10 12 2009

2009 year in review: best challenge of the year.

what i learned from writing 50,000 words in 30 days.

1. that i am capable of producing more creative output than i think i am.

2. routine is the chief gateway to get anything creative done.

3. getting up at 5.30 every morning starts the night before.

4.being lonely and afraid has it’s own surprising rewards like bravery and poignancy.

5. life moves very quickly and i want to minimize my regrets on my death-bed about what i wanted to do and experience in my life but didn’t for all the usual hollow reasons.

6. being cheered on by people online through twitter that you have never met brought me a feeling of connection and support that is the best part of humanity.

7. setting a goal that is slightly outside my known level of attainment is a good stretch for my skin and my heart/mind, and then accomplishing that goal through daily commitment brings an inner sense of pride and confidence.

8. that the hours of pre-dawn darkness to light is some of the most beautiful, powerful atmosphere i have been in.

9. that having a ritual, like making tea, lighting a candle and offering my work on behalf of all beings made things easier somehow.

10. that monday, when i begin another round of 2,000 words a day until the end of january, that i have a frame of reference for what feels overwhelming. i can do this, i tell myself. i have done it before. and what an abiding joy self-comfort is.





Moment of Peace

8 12 2009

day 8 of 2009 year in review; moment of peace.

my moments of peace have to do with sitting quietly on my couch and petting my dog, or sitting outside and being present with the beauty of nature.

any time i can be still and quiet, is a moment of peace for me.

the following poem by mary oliver, my favorite poet, hits a moment of peace just right.

i hope it affects you as much as it has me over the years and that it lingers with you.

“You do not have to be good.

you do not have to walk on your knees

for a hundred miles through the desert, repenting.

You only have to let the soft animal of your body

love what it loves.

Tell me about despair, yours, and i will tell you mine.

Meanwhile the world goes on.

Meanwhile the sun and the clear pebbles of the rain

are moving across the landscapes,

over the prairies and the deep trees,

the mountains and the rivers.

Meanwhile, the wild geese, high in the clean blue air,

are heading home again.

Whoever you are, no matter how lonely,

the world offers itself to your imagination,

calls to you like the wild geese, harsh and exciting–

over and over announcing your place

in the family of things.”

WILD GEESE, by Mary Oliver





blog finds of the year

7 12 2009

day 7 of year in review; some blog gems i found this year.

what’s incredible for me is that across vast space, the internet has aided us in finding each other, and connecting deeply.

for all the critics out there who say the internet is decreasing real human relations, i disagree. i have met people that i would otherwise never have known from blogs and twitter and consider them close to my heart. many i have had the warm joy of meeting face to face after meeting them on their blogs.

there are stories of people falling in love online. under the milky way.

here are some of my favorite blogs that i found in 2009;

for the mother lode of social media and sheer energetic power, and where it all began for me and continues for me; danielle laporte @ whitehottruth.com

for expansive exciting social media ideas–i actually don’t totally understand WHAT she does it’s so broad– a finger in every pie with soul; gwen bell @ gwenbell.com

for the moments when i am feeling heavy and in a bad mood, and need a silly laugh out loud hit; danon sascoa @ insatiablehost.blogspot.com

for inspiration about the creative life; diane solis @ dmsolis.blogspot.com

for the sheer beauty of living; tea and cookies @ teaandcookies.blogspot.com

for balls-to-the-wall with sheer vulnerability kind of blogging; penelope trunk @ blog.penelopetrunk.com

and some up-and-comers;

video tutorial services; karen yaeger @ openskyvideo.com

the journey of writing and self-discovery;  angela kelsey @ graciespeaks.com

yoga, knitting, buddhism, general sass and fabulosity; becca grossman @ beccafaithyoga.com






christian wiman’s ambition and survival

4 12 2009

year in review 2009, best book:

Ambition and Survial: Becoming a Poet by Christian Wiman (editor of Poetry Magazine) is my pick for the book that really affected me this year.

I was given a copy of the essay The Limit by Christian Wiman in my workshop at Sarah Lawrence by my teacher, Joanne Beard (author of the award-winning, Boys Of My Youth), during workshop to read, and was so blown away by it, that i bought his whole book.

it’s a book of essays about “homelessness and unbelief and ends with an essay on rootedness and faith, begins with health being taken for granted, ends with it being taken away.” (from wiman’s preface)

i’ll give you 2 quotes that are profound to me, both taken from his essay The Limit.

to be a writer is to betray the facts. it’s one of the more ruthless things about being a writer, finally, in that to cast an experience into words is in some way to lose the reality of the experience itself, to sacrifice the fact of it to whatever imaginative pattern one’s wound requires.”

and if you are drawn in and want to go further;

“and yet i’ve come to believe, and in rare moments can almost feel, that like an illness some vestige of which the body keeps to protect itself, pain may be its own reprieve; that the violence that is latent within us may be, if never altogether dispelled or tamed, at least acknowledged, defined, and perhaps by dint of the love we feel for our lives, for the people in them and for our work, rendered into an energy that need not be inflicted on others or ourselves, an energy we may even be able to use; and that for those of us who have gone to war with our own minds there is yet hope for what Freud called ‘normal unhappiness,’ wherein we might remember the dead without being haunted by them, give to our lives a coherence that is not ‘closure,’ and learn to live with our memories, our families, and ourselves amid a truce that is not peace.”





scratchbread

3 12 2009

best of 2009 day 3: delicious article

this is from the current issue of edible brooklyn (winter 2010) http://www.ediblebrooklyn.com/

it’s a terrific article because it shows that if you love something, even if it’s simple–what’s more basic than bread?!– that with hard work, ingenuity, and a little beautiful piece of twine (a great product helps, but isn’t it always a great product if you truly love what you are doing?), you can create a working life that is not separate from your passion and your art.

scratchbread

Matthew Tilden—the man behind the ridiculously rustic Scratchbread, each craggy, densely delicious loaf tied with a bit of twine—bubbles over like just-fed sourdough starter when asked about his approach to food. The CIA grad first transformed nutty wheat into fat, salt-topped focaccia at Chestnut and dreams of applying artisanal, back-to-basics foodstuffs far beyond the breadbox. A Scratch product mantra, he says, might go something like this: “It’s supposed to be quality, it’s supposed to be simple, it’s supposed to be freaking delicious.”

It’s definitely the last of those, as evidenced by demand for his loaves: South Slope Sour, Parma Country (topped with fennel seeds and Parmigiano-Reggiano), Whole Wheat Spelt Nut, Chai Sticky Bread and his candied orange, rosemary and gray sea salt scones are snapped up at Bklyn Larder, Blue Apron, Get Fresh, Grumpy Coffee and Toby’s Public House, among a handful of other shops.

Because Tilden believes a commodity can create a community, he uses about 80 percent organic flours and sells his loaves at a price he hopes more people can afford: around $4 to $5 a loaf. Not cheap, but below what it would be at some fancy shops, thanks in part to a lack of packaging beyond that twine—“so you know two hands touched it”—and a bare bones business model based on one man working 120 hours a week on borrowed time and equipment: Scratchbread operates in the off-hours using the brick ovens at Toby’s Public House, an upscale pizza tavern in Greenwood Heights. (Tilden also works with the grow-your-own educational group BK Farmyards when he can.)

Tilden says he’s willing to forgo sleep right now to move along his goals for getting more great foods to more people. That’s good stuff indeed—but, we have to admit, we’re really just in love with his loaves.

scratchbread.com





cafe boulud

2 12 2009

best of 2009 day 2: best restaurant moment.

a few weeks ago, my yoga client, who has become my friend, took me to dinner across the street from her house at Cafe Boulud. www.danielnyc.com

i am no stranger to fabulous restaurants, but there was something wonderfully different about cafe boulud. it strikes just the right note of not too stuffy, not too relaxed.

i think it was the understated elegance of the whole experience, which, when done right, can be, in my opinion, the epitome of our human etiquette and natural poise.

what i mean by that, is that we can really do an amazing job of expressing ourselves from a high place. we can clean up, and comb our hair, and put on a nice crisp outfit, and walk with good posture, and sit up straight at the table that reflects a certain natural beauty and dignity that we all possess but often forget about.

when i entered the restaurant, i was first struck by the space itself and the atmosphere in the space. The ceiling is low, and the lighting, which is diffused, is not coming from any one source so it feels like you are stepping into a living room. there is no music playing, just the hushed conversations of the diners. there is absolutely no clanking of kitchen sounds.

the next thing i was struck by is the utter smoothness of everything that occurs in the physical realm. from the coat check, to the chair being pulled out, to the way the waiter replaced the silverware, poured the champagne, presented the menus, removed the menus, and then at the end, the Madeleine’s that we asked to take home, were magically in a bag with our coats in the coat room. no one rushed, but they didn’t belabor things either.

the food was out of this world delicious. just the right amount. that’s why the french are normal weight and we are fat.

the presentation of the food was neat and clean on the level of OCD neat. each plate looked like a sculpture or a painting.

i fell in love with our waiter just from the way he moved in space in his dark suit and the way he reached in and removed a knife or presented a new fork onto the table. his physicality was very sexy and smooth with a light touch. i tried not to stare at him, but i could barely take my eyes off him just because of the way he moved.

it was an experience of how human beings can really express themselves very artfully.

sitting down for an elegant, bourgeois meal once a year can remind one of all the highest elements of humanity; dignity, decorum, elegance, taste, pleasure, movement, color, beauty, service, and communion around food.





my next challenge

1 12 2009

gwen bell, one of the super cool social media mavens, sent out this challenge today that i couldn’t pass up.

she sent out a list of prompts for each day of the month of december with the theme of “year in review.” you write on her daily prompt and then post them to your blog.

30 prompts, 30 posts, 30 days (and i just finished nanowrimo today–50,000 words in 30 days).

not being one for end-of-the-year type of sentimentality, i thought i would switch it up this year and take a look back each day and see what i could come up with.

the first prompt? Trip. What was your best trip in 2009?

i spent the summer in North Dakota with my girlfriend who was the choreographer in a summer musical theatre production out there. i took the summer off from working and mostly drove around and took pictures of the sky and went to spin class at the YMCA and tried to write. my girlfriend grew up there and it’s where her many generational family still resides.

we drove out from NYC, and the time in the car was magical and suspended in the way road trips with someone you love are, and the three days it took to get there unwound me in the way that driving from urban to farm-country can do so righteously.

north dakota is a beautiful place in its sparse landscape and sky that touches all the way down to the ground.

The people who live there consider friendliness to be a virtue, and the absence of basic aggression that is within them as a generalization, was restorative.

people who live in wide open spaces tend to be gentler.

it’s a culture of space in north dakota, and it seems that space opens people up while at the same time calming them down.

i took hundreds of pictures of the land. I couldn’t get enough of it. the greens and yellows and blues and browns and pale wheat colors soothed my eyes like a cool compress.

enjoy the 3 photos i took below:








Follow

Get every new post delivered to your Inbox.